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72 |
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GENERAL INDEX. |
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The numbers in all cases refer to the Paragraphs not to the pages. |
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Absolute Pitch, Sense of |
Par. 13 |
Par. Intellectual Tendencies, to what due ... ... ... ... ... 67 |
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Bach, St. Matthew, " Passion," and Mendelssohn... ... ... ... 122
Beethoven, Analysis of 1st Movement of Sonata, Op. 2, No. I ... 104
--------- "Devices" ......... 7
--------- "Methods" ...... 48,105
Billow, Hans von, the memory of 125, 129
•Comparison of the styles of different composers ... ... ... 98, 99
Concertos, memorization of ... ... 108
Concentration, continuous ... 42, 87, 96
--------- motives to ... ... ... 84
Conditions favourable to memorizing
79 et sea.
Ear-tests in Examinations......114
Ear-training ... ... 8, 12, 71, 114
Elaboration, Form and Progression of 54 |
" Law of Contiguity " Listening, Intelligent ... Liszt and Mendelssohn |
18 6
123 |
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Memory, General......... 1
_____ Intellectual ... ^4 et seq.
_________upon what its employment
depends ... ... ... 57
_____ Muscular ...... 18 et seq.
_________ automatic employment 19, 34
_________ its connection with Visual
Memory... ... ... 39
_________ suitable passages ... ... 23
_________suitable and unsuitable, passages compared... 32, 33
_____ Musical ..... $ et seq.
_________growth of......... 8
_________ perfect form of ...... 13
_________possibilities of ... ... 15
_________upon what its value depends 11
_____ Performances ... 119 et seq.
_________criticisms of ......127
_________ evils of ......... 77
_________ favourable conditions ... 81
_________in Examinations ... ... 118
_________powers employed ... ... 15
_________ rehearsing for ... 109, 110
_________selection of pieces... ... 93
_________value of ... ... 75, 76
_________value of early training ... 92
_________when may be introduced ... 91
_________with Orchestra ... ... 108
_____ Special, Forms of ... 1 et seq.
_________ law as to employment of in
Piano playing ... ... 68
_________natural power of ... ... 83 |
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--------- of a single chord
--------- of a progression of chords
Examinations, Ear-tests in
--------- influence of ......
--------- memory performance in
Finger Memory ...... |
52
S3 114 in
118 |
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23 |
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Halle, Sir Charles, introduction of
"Recitals" by .........127
Harmonic basis of passages ...... 51
Harmony, advantage of a knowledge of ......... 28,45
--------- examinations and ear-tests ... 114
--------- right and wrong methods of
study ......... 74
Hiller, Ferdinand, Memory performance of ... .........124 |
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